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is thought music theorist of the eighteenth and nineteenth century which introduces both a vision of music as a language, as well as professional classification equivalent to linguistic concepts. Topic , phrase are some of those terms music theory that begins to borrow from the science of language.

Music that has been built thinking of it as a language could and can now be analyzed from a linguistic perspective. Thus, varietas , contrapuntal technique of the XV and XVI, can be understood as a musical construction that resembles the writing of natural language prose, while construction and motivic phrases developed by the classicism and romanticism of eighteenth and nineteenth centuries accepted compared to writing in verse. Prose and Verse , terms of other fields of knowledge now incorporated into the theory Music.